Finn

Finn: A NovelBack when I was a wee lad, oh so many years ago, the nearest library was a mile away from my home, at the corner of Burt Road and Finkell Street in Detroit. In my child’s mind it was a vast stone building gleaming white as the heart of a hero, graced with wrought iron trim as black as a villains soul. A visit, years later, when that branch had long since closed, the image that child carried paled somewhat in the visage of a 50s style cinder-block shell, boarded up and graffitied, forlorn on the corner of a dying block of houses in a city all but dead.

But at 12, it was a magnificent place. There were stories contained within those walls, words that could transport you from the motherless gray of a frightening neighborhood, powerless against the exigencies of life, the bullies and the fearsome teachers at school, to places far away, where the sun always shone, where life was lived and loved.

There were two types of library cards back then; adult and child. Being under the tender age of 16, I had the kid card, which gave me access to all the kid stuff but kept me out of that part of the library where all the really good stuff was. I can remember walking there, my red wagon in tow, pushing through those great doors into the silent gloom of words. The kid section was small and near the front of the building. I can remember browsing the shelves, surreptitiously observing the “old” people sitting on the adult side reading, and wishing with all my young heart that I could browse the shelves they had so easily at their beck and call.

I would check out 10 or 12 books, take them home, read them, bring them back. This would go on day after day that summer I was 10. The librarian, a woman I couldn’t now, after all these years, describe for you, would watch this parade with a half smile of wonderment curling her lips. I was about the only kid that ever came into that place. I don’t remember ever encountering another of my age there.

One day, after returning a dozen books I had checked out the day before, she asked me if I had actually read all those books. I seem to remember she even asked me questions about them, to determine if I really had, indeed, read them. My answers must have been satisfactory for she reached beneath the counter, brought forth a form, filled it out herself, and issued me an adult card.

My world expanded exponentially.

I ate those shelves alive. Thurber, Stienbeck, Heminway, Faulkner, Hawthorne and Twain, they all were there, opening worlds beyond my wildest imagination. Twain captured my heart; Tom, Huck, the Connecticut Yankee. Oh for a life on a raft on the Mississippi.

But what of Pap, a demon now still in my mind. So much a part of Huck never told. Until now. Jon Clinch has filled in the gaps, both for the child who once visited the library, red wagon in tow, and the adult, who always wondered.

I have, as a member of Backspace, the greatest writers forum on the Internet, been privileged to read parts of Finn, this new book from Jon Clinch. Do you lust after beautifully executed language? Do you long for a story so rich in detail that it makes your heart swell? I wish I could say I’ve read it all, but what little I’ve read has enchanted me. And the rest will come soon enough as I have already ordered Finn from my local book store.

Check out the site here. And buy the book when it comes out. You won’t be sorry. Trust me.

I Don’t Do Book Reviews

I don’t do book reviews. I might tout a book I really like, as I have from time to time in this blog. I’ll talk to the buyers at Indie bookstores, suggest books to my local library and talk my friends into at least considering the purchase of books I really like. But I don’t do book reviews.

I think the primary reason for this is that I’m a writer and regardless of how tightly I bind and gag my internal editor, he’s always there picking apart the plot, critiquing the characters, studying the storyline or alternately complementing or condemning the author on their use or abuse of language. I’ve grown used to this and it doesn’t really affect my reading pleasure. I’d be in trouble if it did as it’s a rare book that evades that damned internal editor. The only book I can think of in the last year that did was Water For Elephants. Me and that editor read it cover to cover and I don’t think he piped up once.

Having that little devil sitting on my shoulder while I read is oft times a blessing, occasionally a curse. It’s a curse when I run into a book so poorly written that however hard I try, I can’t get past the cries of anguish and scorn heaped on the author by my critic. It’s a blessing when I read a well written book in which I can simultaneously enjoy the read while analyzing the intricate weaving of the author’s hand.

Having that little devil sitting on my shoulder also makes it nearly impossible for me to review a book. Critique it, yes. Review it, no. A critique is from the writer’s point of view while a review is more a reader’s point of view with maybe just a sprinkling of the writer’s point of view tossed in like fresh ground pepper over a salad.

Overall, though, the former will quite often differ from the latter. A case in point would be the fabulously popular Da Vinci Code. Obviously millions of readers loved this book, finding the storyline compelling enough to endure what I consider to be some of the most horrific writing imaginable. I couldn’t get past the second chapter despite how hard I tried. Considering the sales figures for DVC, that certainly puts me in the minority.

So, I don’t review books. I don’t feel comfortable doing it, I’m not sure I know how to do it, I don’t believe I’d be very good at it and, considering the point above about DVC, I doubt I’d see a book in the same way someone who is strictly a reader would.

Fortune in H.E.L.L.Having said all that, let me introduce you to Fortune In H.E.L.L. by H. Jean Bushnell. Though Jean and I have never met in person, we go back a ways in cybertime, having met while ‘attending’ a joke of an online writing class. Later we were involved in an online writing forum called Prose6 and later still in a small break-away group that several Prose6ers started amongst themselves. She has recently joined Backspace after a good deal of prodding on my part.

During our Prose6 time, Jean was working on a little cozy mystery called Fortune In H.E.L.L. Briefly, the story revolves around Abbie Tartingale, one half of a mystery writing team with her husband Matt. When Matt dies of cancer, she finds she can no longer write. She moves in with her sister in Denver and, through some manipulation on her sister’s part, ends up working for a Denver law firm with the unfortunate acronym HEL&L. One of the lawyers is murdered, not always a bad thing in my opinion, and suddenly Abbie is thrust into one of those life imitates art situations.

Jean and I have kept in touch over the years. She kept at Fortune and finally got it published through Prong Horn Press. I haven’t asked Jean yet whether she has an agent or if this book was pitched to any larger publishers but I have to say I’m dumbfounded that someone like St. Martin’s Press didn’t snatch this thing up in a heartbeat. I’m a big fan of M. C. Beaton (St. Martin’s Press). Her writing is tight and clean, always with a touch of humor and her mysteries are top notch.

Fortune In H.E.L.L. is every bit as good as anything I’ve ever read by Ms Beaton, and I’ve read most of them.

This is a first rate mystery with all the elements you’d expect in a cozy, polished to a high shine. The characters are highly believable and so individual in voice that you never get them confused. The flow of the story is even and well paced, nothing happens that shouldn’t and everything that should, does. There is a good dose of humor, just the right touch of romance and a compelling mystery with plenty of clues to guide, and misguide, you along the way.

Abbie herself, the star of the show, is an intricate character that you can’t help but like as she moves through the trials and tribulations of finding herself caught up in what easily could have been one of the plots her and her dead husband might have written, all the while grieving his loss and coming to terms with the idea of moving on with her own life.

If you like cozy mysteries, you’ll love this book. If you don’t, this one will change your mind. If you’ve never been exposed to them, Fortune In H.E.L.L. will win you over. Personally, I can’t wait until her next one comes out.

The Historical Jesus

I am not a religious person. If asked, I’ll simply claim atheism. If pushed, I might note that my sympathies drift more toward the pagan side of the street than any other. But overall I’m an atheist.

Which isn’t to say I have no interest in religion. It is, after-all, a rather large part of human experience, however regrettable I may think that is. My interest, however, is not with the dogmatic or the theological but rather with the history of religion.

And the question of why, of course, a rhetorical question with no real answer, one which I have found best to avoid as any conversation involving ‘why’ always seems to come down to the ambiguous concept of “faith”, the sole purpose of which is to slam the door on any further inquiry.

The history, though, that I enjoy. History, anthropology and archeology are subjects that consume a great deal of my reading time. Had I completed my thesis oh so many years ago, I could add a Masters degree in Religious Studies to my Bachelors in Psychology.

The Jesus Dynasty: The Hidden History of Jesus, His Royal Family, and the Birth of ChristianityHaving been raised a Christian, a religious concept I rejected pretty early on, I have a particular fondness for the historical Jesus. During my years in college I did a lot of reading on this subject so, when I came across The Jesus Dynasty: The Hidden History of Jesus, His Royal Family, and the Birth of Christianity by James D. Tabor recently, I snatched it up.

Dr. Tabor is the chair of the Department of Religious Studies at the University of North Carolina and is considered an expert on the Dead Sea Scrolls and on Christian origins. I am familiar with some of his earlier work and found The Jesus Dynasty to be both an informative and enjoyable read.

By examining recent archeological finds in Israel and through the careful reading of existing and more recently discovered ancient texts, Dr. Tabor has painted a much fuller picture of the historical life of Jesus than I ever got back in my college days. A picture which has been grossly edited by later writers to fit Jesus more neatly onto his Christian throne than he ever intended to be. Indeed, it is my belief the poor guy is spinning at a rather high rate of speed inside his ossuary in whatever tomb, possibly as yet undiscovered, that ossuary might be sealed in.

As a writer, though, the thing that struck me hardest during my read of The Jesus Dynasty was not so much the facts and informed speculations Dr. Tabor made but rather the picture of the times in which Jesus walked the earth; the poverty and oppression of the populace, the cruelty of the Roman conquerors, the barbarism of the Jewish leaders over their own kind, all of which fomented an undercurrent of rebellion which Jesus and John the Baptizer emerged the leaders of.

This Jesus became more human to me, more real, than any religious exposure to him had ever shown me. It was a story of passion and rebellion, of deceit and danger at every turn. Jesus and John, the King and the Priest foretold of in the prophecies of the time, had nothing less in mind than the complete overthrow of the Roman yoke and the coming of the kingdom of their god.

And in the end it’s a tragic story. The priest beheaded, the king, through some judicious rereading of the prophecies to account for this unexpected event, walking boldly into the lions den, fully aware of the danger awaiting him, believing that though his god demanded his suffering, he would, in the end, save him from death there-by heralding a new day when the Romans would be vanquished, the overlords scattered and the chosen people would live free and in peace.

What a disappointment he must have suffered, along with all the other horrors of the cross, when death came instead of his god.

What a story it would make, what a piece of historical fiction, what a tragedy. I could see the characters in my minds eye, hear them talking, hear the young, exuberant passion in their voices. I’ve witnessed that kind of zeal back in the 60s and 70s when our oppressor was Nixon, our objective the end of an unjust war and the overthrow of a government far out of touch with its people.

And I’ve witnessed the death of that zeal, the utter disappointment at its passing, and am living through a time when I would welcome the return of Mr. Nixon and his ilk with open arms.

Could I write such a story? Perhaps, though I must admit to having my doubts. Still, given enough time and the desire to do the intensive research necessary, maybe. I finished The Jesus Dynasty several days ago and the images are still quite sharp in my mind, the story still whispering to me.

Would I write it? Not likely. In the current publishing climate, I doubt I’d be willing to spend the several years I believe such a book would take to write while being fairly certain it would be declared unmarketable when finished. That’s an assumption on my part, of course, and probably a cop-out as well. Still, predicting the exact moment in which a fairy will be discovered in a lilac bush in Minnesota would be an easier task than predicting what the publishing industry will accept as marketable or reject as unmarketable at any given moment.

Pity, though. I think it would make a good story. The Jesus one, I mean. Well, maybe the fairy in the lilac bush as well.